On Quadra
I am sitting in my nephew's house on Quadra Island, looking our across the
Strait to the grey-green scenery of the west coast, an Australian far from his
own home. Vivaldi's 'Four Seasons' is playing in the background. The music
shifts into the slower movement of 'Spring'. A soft rain drifts across the
bay, the surface of the dark water rippled and etched by the wind and the
incoming tide. A single motor-boat cuts a white wake across the bay. A small island's shaped curve in the middle of the bay
softens the hard lines of the dark firs and the lighter aspens and birch which
draw strong vertical lines on the landscape. The plane of the black high-water
mark provides a horizontal balance. Above it, the soft yellow of the lichen and
moss gives way to the light green of the under-story.
A stillness settles on the bay. The birds—eagles, robins, jays, gulls,
humming birds—regular visitors on a sunny day, have merged into the trees away
from the rain, and no human form moves. Only the relentless surge and suck of
the great Pacific tides and the soft drifting rain blur the landscape. To my
left, the strong, slanting planes of rock of the near shore remind me of the
forces that have shaped this coast and still lie, patiently dormant, under the
land, forces too terrible to contemplate. I know of places on this coast where
the islands plunge sheer hundreds of metres to the sea floor. I have just put
down a book in which I read of an earthquake on this coast centuries ago that
unleashed a tsunami of such magnitude that it crossed the width of the Pacific
and was felt in Japan. I think of the old rocks my own homeland, where the
forces of destruction are more direct, of fire and heat and drought. I shiver as
some feeling shakes me.
The music drifts into the slow, languid movement of
'Summer', with its promise of warmth, renewal, and sensuality. Tomorrow the
sun will dance on the water, the carefree and curious seals will glide in the
bay, and the blue of the sky will lift our hearts to join the returning birds.
Neil
Quintrell
June 2000
Creative Writing